Through the shadowy gate

late summer shadows on the entrance to Saughton Park, in Edinburgh, which recently reopened after a period of refurbishment. You can read my blog post about the recent opening event held in the park here on Crafty Green Poet and also see more recent photos of the park on my Crafty Green Poet blog here and here.

For Shadow Shot Sunday.

Marching for the EU and drinking Turkish Apple Tea

Drinking Turkish Apple Tea on the shady verandah of Cafe Truva in Edinburgh's Royal Mile after the anti-Brexit, pro-EU march.

  (We also had slices of the delicious Cafe Truva orange chocolate cake).

You can read more about the pro-EU march on my Crafty Green Poet blog here. 

for Shadow Shot Sunday.

Architecture in Shadow

It's a beautiful sunny day today, offering some great shadows on the buildings in the centre of Edinburgh

For Shadow Shot Sunday.

Treacle - film review

Treacle is a new short bisexual drama from award winning director and actor April Kelley. 

Friends Belle (April Kelley) and Jess (Ariana Anderson) go on a trip together to help Jess get over a difficult break up. The two get drunk together and end up sleeping together. The next day they struggle to recapture their easy friendship. 

Bisexual Belle feels that Jess (who is straight) only got together with her as an experiment, thinking that as a bixesual woman she (Belle) would be up for experimentation. Would Jess have behaved the same way with a lesbian or with a man? Or would getting drunk so soon after a break up have meant she would have had sex with anyone who happened to be nearby? Jess can't or won't answer any of these questions.

Beautifully shot and acted, the film leaves the viewer wondering whether the two women can repair their friendship and supports the 'notion that bisexuality isn’t just a phase or an experiment nor is the ‘B’ there to just help the acronym roll off the tongue'.


This film premiered at BFI Flare: London LGBTQI+ Film Festival and had its US premiere at Frameline43: The San Francisco International LGBTQI Film Festival. The film will screen at the Underwire Film Festival (the UK's only film festival celebrating female film making) on Thursday 19 September as part of the Best Friends shorts screening.


Disclaimer: I saw a free online preview of this film in return for a review.

Alienation

I sit locked out,
my nose pressed against glass
only I know about.

You sense my distance
but cannot understand
the why of it.

The space I cannot cross.

I watch you dance
with strange disjointed steps
to music I cannot hear.

A ritual to which I can never belong.

You laugh to see me sit alone
as it I made a foolish choice
I am too proud to own.

But I cannot join
this thing that makes no sense
this thing that for me is so unreal.

I must dance to a lonelier beat.


Originally published in Spume magazine.and first published on this blog in January 2007.

***
 
I'm delighted that I have a 50 word story up now on the 50 word story website. You can read it here (and if you like it, click on the like button too!).

Tell it to the Bees - film review

Set in a small Scottish town in the nineteen fifties, Tell It To The Bees is the story of Charlie (Gregor Selkirk) whose father, returned from the war a changed man, walks out on his marriage. Charlie's mother Lydia (Holliday Grainger) works all the hours she can in a mill to try to keep a roof over their heads.

Jean (Anna Paquin) has returned to the village to take over her dead father's medical practice. She treats Charlie after he is hurt by bullies at his school and introduces him to her bees. She encourages him to tell his secrets to the bees and he starts keeping a nature diary based on his observations of the hives. 

Charlie's friendship with the doctor leads to his mother becoming friends with Jean too. When Lydia is threatened with eviction, Jean offers her a job as her live in housekeeper. The two women find themselves drawn into an intense friendship which develops into a sexual relationship. But gossip travels quickly in a small town and lesbian relationships weren't considered normal in the 1950s so the new household that the three are creating together is threatened right from the beginning. 

The bees are present throughout, as confidants to Charlie and playing an important role in the plot at one point too. 

It's in many ways an excellent film, the main characters and their relationships are believable (though Paquin's Scottish accent slightly less so) and the story sheds a light on the repressive attitudes of a 1950s small town community.

This is based on the novel by Fiona Shaw, though the ending has been changed (If you've seen the film, you may like this excellent article by Shaw about what she thinks of the ending).

Tell it to the Bees is screening at the Filmhouse until Thursday 25 July. 

Cross posted to my Crafty Green Poet blog here.

New Testimonials: The Bi-Ble Volume 2 (essays on bisexuality)

 
New Testimonials: The Bi-Ble Volume 2 is a stand alone follow up to The Bi-ble Anthology of Personal Narratives and Essays about Bisexuality (which I reviewed here). It contains a range of new essays on various aspects of the bisexual experience, from writers from across the UK and overseas.

These essays and personal stories about bisexuality come from a variety of viewpoints and covering topics including bi-erasure, race and sexuality, disability, and popular culture (including Flash Gordon, St Vincent and Janelle Monae). There's nothing however about goths and bisexuality (and nor was there in the first volume), which seems like an area that could be explored in an essay.

The pieces are well written and interesting, sometimes amusing and often moving. Some are very much personal narratives and some are definitely essays, some of them quite academic in style (but always accessible to the general reader) Whether you're bisexual, questioning, or just curious, this collection will open you to new perspectives. There isn't a lot of bisexual literature out there and the two volumes of the Bi-Ble help to fill that gap.

The Bi-Ble volumes 1 and 2 are available to buy together or separately from Monstrous Regiment, a great new feminist independent press based in Edinburgh. You can visit their online shop here.

New Testimonials will be launched at an event in Edinburgh on Friday 19 July, find out more and book your place here. 

Two SF films at Edinburgh International Film Festival

Edinburgh International Film Festival ends tonight and here are my two final reviews. 

The Vast of Night 



The debut from director Andrew Patterson, The Vast of Night, framed as an episode of The Twighlight Zone, is set over the course of a single night a small town in late 1950s New Mexico. Most residents of the town are at a basketball game, except for radio presenter Everett (Jake Horowitz) and switchboard operator Fay (Sierra McCormick), who hear mysterious sounds disrupting their lines and broadcasts. This leads to an investigation involving a veteran who phones into the radio station to recount his experiences and an elderly lady who shares snippets of a language she has heard that seems connected to the other strange sounds.

It's a beautifully made film which feels to very realistically evoke the era. It's a very low key drama, with the story developing slowly and there being little disagreement between Fay and Everett despite what must be trying events. A burgeoning romance between the two is very slightly hinted at but doesn't develop at all, avoiding the obvious sub-plot (though possibly decreasing the amount of engagement for some viewers?). 

Definitely worth watching, it should get at least a restricted release in the UK in the next few months.


 Time Crimes 




Going back in time (in more ways than one) Time Crimes is a 2007 Spanish film featuring Hector a middle aged man who finds himself caught in a time loop and tries to keep going back to correct what went wrong last time he travelled back in time. It's one of those films that messes with your brain, specially if you think about it too much. 

One of the great things about the Edinburgh International Film Festival is that it includes well curated retrospective strands that include films like this, that might otherwise be forgotten. 

Disclaimer: I received free press tickets for the public screenings of these two films. 

 You can read my earlier reviews from Edinburgh International Film Festival 2019, by following the links below:

Boyz in the Wood a group of teenage boys get lost in the Scottish Highlands.

2040 - can technology offer solutions to our current climate and ecological crises?

 Bait - Cornish fishermen try to adapt to a changing world

How to Fake  a War (on my Shapeshifting Green blog) what happens when a rock star decides to meddle in international affairs?


Farm Animals on Film - featuring The Biggest Little Farm - an inspiring story of the creation of a sustainable biodiverse farm in California, plus Vulture, an experimental film about farm animals.

Virgin and Extra: Land of the Olive Oil.
 
Chef Diaries Scotland: Spanish Chefs the Roca brothers take the viewer on a culinary road trip round Scotland

 Up the Mountain - a year in an artists' studio in the Chinese mountains.

The Amber Light - a cinematic ode to Scotland's national drink

Aren't You Happy (on my Shapeshifting Green blog) - a writer searches for the meaning of life while not actually writibg anything

The Deer - a Basque language film following two poachers in a national park on the outskirts of San Sebastien.

Hurt by Paradise - a poet keeps searching for a publisher and an actor keeps trying to get a role

Photograph (on my Shapeshifting Green blog) - a street photographer in Mumbai invents a fiancee for himself....

Endzeit - an ecofeminist road movie with zombies. 

Vai and Venezia - 2 films from sinking worlds. 

Hamada - (on my Shapeshiting Green blog) life for young refugees of the Sahwari people in the Sahara. 

 Volcano - a photpgrapher gets lost in Ukraine

Black Forest - a dysfunctional family holiday in the German forest  

Carmilla - a gothic tale. 

Hamada - screening at Edinburgh International Film Festival

 

Hamada: (h 'ma:d ) n. (geology) a desert terrain that consists of a flat and rocky area mainly devoid of sand. For Sahrawi people, hamada also refers to ‘emptiness’ or ‘lifelessness’. 
 
Hamada follows the lives of young friends living in a refugee camp in the Sahara. A minefield and the second largest military wall in the world separates this group from their homeland that they only know from their parent's stories. The Sahrawi people have lived here for 40 years since Morocco drove them out of Western Sahara.

These young people have the same interests as young people in more fortunate circumstances, they want to learn how to drive, to develop skills, to find meaningful jobs, to find a girlfriend or boyfriend, to enjoy time with their friends and family. Their determination shines through in every scene but it is clear that all of them want more fulfilling lives than the refugee camp can offer them.

Hamada is screening as part of the Edinburgh International Film Festival at  1325, Saturday 29 June and at 1530 Sunday 30 June both at Odeon Lothian Road. You can buy tickets here.

You can read my earlier reviews from Edinburgh International Film Festival 2019, by following the links below:

Boyz in the Wood a group of teenage boys get lost in the Scottish Highlands.

2040 - can technology offer solutions to our current climate and ecological crises?

 Bait - Cornish fishermen try to adapt to a changing world

How to Fake  a War (on my Shapeshifting Green blog) what happens when a rock star decides to meddle in international affairs?

Farm Animals on Film - featuring The Biggest Little Farm - an inspiring story of the creation of a sustainable biodiverse farm in California, plus Vulture, an experimental film about farm animals.

Virgin and Extra: Land of the Olive Oil.

Chef Diaries: Scotland - Spanish chefs the Roca brothers take the viewer on a culinary road trip round Scotland.

Up the Mountain - a year in an artists' studio in the Chinese mountains.

The Amber Light - a cinematic ode to Scotland's national drink

Aren't You Happy (on my Shapeshifting Green blog) - a writer searches for the meaning of life while not actually writing anything

The Deer - a Basque language film following two poachers in a national park on the outskirts of San Sebastien.

Hurt by Paradise - a poet keeps searching for a publisher and an actor keeps trying to get a role

Photograph (on my Shapeshifting Green blog) - a street photographer in Mumbai invents a fiancee for himself....

Endzeit - an ecofeminist road movie with zombies. 

Vai and Venezia - 2 films from sinking worlds. 


Volcano - lost in the borderlands of Ukraine.

Disclaimer: I have a press pass for the film festival and attended a free press screening of these films.

Photograph - screening at Edinburgh International Film Festival

This new film from Ritesh Batra is the much awaited follow up to the brilliant comedy The Lunchbox.
 

Struggling street photographer Rafi (Nawazuddin Siddiqui, who also stars in Lunchbox), based in Mumbai, works all the hours he can to pay off an old family debt. His grandmother (Farrukh Jaffar) constantly pressurises him to find a suitable match. He eventually shows his grandmother by a photo of a stranger, Miloni (Sanya Malhotra) claiming she is his fiancée. When his grandmother demands to be introduced to his fiancée, he manages to track down Miloni. Rafi asks her to fake their relationship, to which Miloni  agrees.

The two soon become friends, obviously enjoying each other's company, despite their very different backgrounds, but not becoming romantically involved. The situation is complicated by the fact that Miloni pretends to be an orphan to avoid Rafi's grandmother wanting to meet them. However it becomes difficult to avoid almost bumping into them.

Miloni is a very quiet character, a trait that can come across very poorly in some films, but here it works, she is the quiet but determined young woman not prepared to waste words where they're not needed. Her growing interest in becoming part of Rafi's world is part of her testing out what she wants from life.

The drama that ensues is a sweet entertaining story, well worth savouring.  

Photograph is screening at Edinburgh International Film Festival at 1815 Wednesday 26 June at Odeon Lothian Road and at 2020 Thursday 27 June at Vue Omni Centre. You can book tickets here.

You can read my earlier reviews from Edinburgh International Film Festival 2019, by following the links below:

Boyz in the Wood a group of teenage boys get lost in the Scottish Highlands.

2040 - can technology offer solutions to our current climate and ecological crises?

 Bait - Cornish fishermen try to adapt to a changing world

How to Fake  a War (on my Shapeshifting Green blog) what happens when a rock star decides to meddle in international affairs?

Farm Animals on Film - featuring The Biggest Little Farm - an inspiring story of the creation of a sustainable biodiverse farm in California, plus Vulture, an experimental film about farm animals.

Virgin and Extra: Land of the Olive Oil.

Chef Diaries Scotland: Spanish Chefs the Roca brothers take the viewer on a culinary road trip round Scotland

 Up the Mountain - a year in an artists' studio in the Chinese mountains.

The Amber Light - a cinematic ode to Scotland's national drink

Aren't You Happy (on my Shapeshifting Green blog) - a writer searches for the meaning of life while not actually writibg anything


The Deer - a Basque language film following two poachers in a national park on the outskirts of San Sebastien.

 Hurt by Paradise - a poet keeps searching for a publisher and an actor keeps trying to get a role

Endzeit - ecofeminist road movie, with zombies

Disclaimer: I have a press pass for the film festival and attended a free press screening of these films.