Two SF films at Edinburgh International Film Festival

Edinburgh International Film Festival ends tonight and here are my two final reviews. 

The Vast of Night 



The debut from director Andrew Patterson, The Vast of Night, framed as an episode of The Twighlight Zone, is set over the course of a single night a small town in late 1950s New Mexico. Most residents of the town are at a basketball game, except for radio presenter Everett (Jake Horowitz) and switchboard operator Fay (Sierra McCormick), who hear mysterious sounds disrupting their lines and broadcasts. This leads to an investigation involving a veteran who phones into the radio station to recount his experiences and an elderly lady who shares snippets of a language she has heard that seems connected to the other strange sounds.

It's a beautifully made film which feels to very realistically evoke the era. It's a very low key drama, with the story developing slowly and there being little disagreement between Fay and Everett despite what must be trying events. A burgeoning romance between the two is very slightly hinted at but doesn't develop at all, avoiding the obvious sub-plot (though possibly decreasing the amount of engagement for some viewers?). 

Definitely worth watching, it should get at least a restricted release in the UK in the next few months.


 Time Crimes 




Going back in time (in more ways than one) Time Crimes is a 2007 Spanish film featuring Hector a middle aged man who finds himself caught in a time loop and tries to keep going back to correct what went wrong last time he travelled back in time. It's one of those films that messes with your brain, specially if you think about it too much. 

One of the great things about the Edinburgh International Film Festival is that it includes well curated retrospective strands that include films like this, that might otherwise be forgotten. 

Disclaimer: I received free press tickets for the public screenings of these two films. 

 You can read my earlier reviews from Edinburgh International Film Festival 2019, by following the links below:

Boyz in the Wood a group of teenage boys get lost in the Scottish Highlands.

2040 - can technology offer solutions to our current climate and ecological crises?

 Bait - Cornish fishermen try to adapt to a changing world

How to Fake  a War (on my Shapeshifting Green blog) what happens when a rock star decides to meddle in international affairs?


Farm Animals on Film - featuring The Biggest Little Farm - an inspiring story of the creation of a sustainable biodiverse farm in California, plus Vulture, an experimental film about farm animals.

Virgin and Extra: Land of the Olive Oil.
 
Chef Diaries Scotland: Spanish Chefs the Roca brothers take the viewer on a culinary road trip round Scotland

 Up the Mountain - a year in an artists' studio in the Chinese mountains.

The Amber Light - a cinematic ode to Scotland's national drink

Aren't You Happy (on my Shapeshifting Green blog) - a writer searches for the meaning of life while not actually writibg anything

The Deer - a Basque language film following two poachers in a national park on the outskirts of San Sebastien.

Hurt by Paradise - a poet keeps searching for a publisher and an actor keeps trying to get a role

Photograph (on my Shapeshifting Green blog) - a street photographer in Mumbai invents a fiancee for himself....

Endzeit - an ecofeminist road movie with zombies. 

Vai and Venezia - 2 films from sinking worlds. 

Hamada - (on my Shapeshiting Green blog) life for young refugees of the Sahwari people in the Sahara. 

 Volcano - a photpgrapher gets lost in Ukraine

Black Forest - a dysfunctional family holiday in the German forest  

Carmilla - a gothic tale. 

Hamada - screening at Edinburgh International Film Festival

 

Hamada: (h 'ma:d ) n. (geology) a desert terrain that consists of a flat and rocky area mainly devoid of sand. For Sahrawi people, hamada also refers to ‘emptiness’ or ‘lifelessness’. 
 
Hamada follows the lives of young friends living in a refugee camp in the Sahara. A minefield and the second largest military wall in the world separates this group from their homeland that they only know from their parent's stories. The Sahrawi people have lived here for 40 years since Morocco drove them out of Western Sahara.

These young people have the same interests as young people in more fortunate circumstances, they want to learn how to drive, to develop skills, to find meaningful jobs, to find a girlfriend or boyfriend, to enjoy time with their friends and family. Their determination shines through in every scene but it is clear that all of them want more fulfilling lives than the refugee camp can offer them.

Hamada is screening as part of the Edinburgh International Film Festival at  1325, Saturday 29 June and at 1530 Sunday 30 June both at Odeon Lothian Road. You can buy tickets here.

You can read my earlier reviews from Edinburgh International Film Festival 2019, by following the links below:

Boyz in the Wood a group of teenage boys get lost in the Scottish Highlands.

2040 - can technology offer solutions to our current climate and ecological crises?

 Bait - Cornish fishermen try to adapt to a changing world

How to Fake  a War (on my Shapeshifting Green blog) what happens when a rock star decides to meddle in international affairs?

Farm Animals on Film - featuring The Biggest Little Farm - an inspiring story of the creation of a sustainable biodiverse farm in California, plus Vulture, an experimental film about farm animals.

Virgin and Extra: Land of the Olive Oil.

Chef Diaries: Scotland - Spanish chefs the Roca brothers take the viewer on a culinary road trip round Scotland.

Up the Mountain - a year in an artists' studio in the Chinese mountains.

The Amber Light - a cinematic ode to Scotland's national drink

Aren't You Happy (on my Shapeshifting Green blog) - a writer searches for the meaning of life while not actually writing anything

The Deer - a Basque language film following two poachers in a national park on the outskirts of San Sebastien.

Hurt by Paradise - a poet keeps searching for a publisher and an actor keeps trying to get a role

Photograph (on my Shapeshifting Green blog) - a street photographer in Mumbai invents a fiancee for himself....

Endzeit - an ecofeminist road movie with zombies. 

Vai and Venezia - 2 films from sinking worlds. 


Volcano - lost in the borderlands of Ukraine.

Disclaimer: I have a press pass for the film festival and attended a free press screening of these films.

Photograph - screening at Edinburgh International Film Festival

This new film from Ritesh Batra is the much awaited follow up to the brilliant comedy The Lunchbox.
 

Struggling street photographer Rafi (Nawazuddin Siddiqui, who also stars in Lunchbox), based in Mumbai, works all the hours he can to pay off an old family debt. His grandmother (Farrukh Jaffar) constantly pressurises him to find a suitable match. He eventually shows his grandmother by a photo of a stranger, Miloni (Sanya Malhotra) claiming she is his fiancée. When his grandmother demands to be introduced to his fiancée, he manages to track down Miloni. Rafi asks her to fake their relationship, to which Miloni  agrees.

The two soon become friends, obviously enjoying each other's company, despite their very different backgrounds, but not becoming romantically involved. The situation is complicated by the fact that Miloni pretends to be an orphan to avoid Rafi's grandmother wanting to meet them. However it becomes difficult to avoid almost bumping into them.

Miloni is a very quiet character, a trait that can come across very poorly in some films, but here it works, she is the quiet but determined young woman not prepared to waste words where they're not needed. Her growing interest in becoming part of Rafi's world is part of her testing out what she wants from life.

The drama that ensues is a sweet entertaining story, well worth savouring.  

Photograph is screening at Edinburgh International Film Festival at 1815 Wednesday 26 June at Odeon Lothian Road and at 2020 Thursday 27 June at Vue Omni Centre. You can book tickets here.

You can read my earlier reviews from Edinburgh International Film Festival 2019, by following the links below:

Boyz in the Wood a group of teenage boys get lost in the Scottish Highlands.

2040 - can technology offer solutions to our current climate and ecological crises?

 Bait - Cornish fishermen try to adapt to a changing world

How to Fake  a War (on my Shapeshifting Green blog) what happens when a rock star decides to meddle in international affairs?

Farm Animals on Film - featuring The Biggest Little Farm - an inspiring story of the creation of a sustainable biodiverse farm in California, plus Vulture, an experimental film about farm animals.

Virgin and Extra: Land of the Olive Oil.

Chef Diaries Scotland: Spanish Chefs the Roca brothers take the viewer on a culinary road trip round Scotland

 Up the Mountain - a year in an artists' studio in the Chinese mountains.

The Amber Light - a cinematic ode to Scotland's national drink

Aren't You Happy (on my Shapeshifting Green blog) - a writer searches for the meaning of life while not actually writibg anything


The Deer - a Basque language film following two poachers in a national park on the outskirts of San Sebastien.

 Hurt by Paradise - a poet keeps searching for a publisher and an actor keeps trying to get a role

Endzeit - ecofeminist road movie, with zombies

Disclaimer: I have a press pass for the film festival and attended a free press screening of these films.

Aren't You Happy? Screening at Edinburgh International Film Festival

Writer-director Susanne Heinrich’s first feature length film is a cinematically interesting exploration of life, love and gender relations for today's young woman. 

A nameless and melancholy young woman (Marie Rathscheck) is a writer with writing issues (she's got no further than the first line of the second chapter of her novel). She searches for meaning to life and a bed for the night while waiting for the end of capitalism. She meets various men, none of whom she allows to mean anything to her. She visits art galleries and philosophises about beauty, feminism and consumerism.

The film is very stylised (reminding in this particular though not in others of Fassbinder's Fear Eats the Soul) and almost static, broken down into self consciously announced episodes. Everything takes place in a very distinctive colour palette dominated by pink and blue. 

Then suddenly in the middle there's a wonderful animated music video then we're back to the same clever and contrived format as before.  

There are moments of humour here and some ideas worth thinking about but mostly it's melancholy and feels as though it should be more entertaining than it is.

Aren't You Happy? is nominated for the 2019 Award for Best International Feature Film.

Aren't You Happy screens at the Edinburgh International Film Festival at 2020 Monday 24 June and 2040 Wednesday 26 June both at Vue Omni Centre. You can book tickets here.

You can read my earlier reviews from Edinburgh International Film Festival 2019, by following the links below:

Boyz in the Wood a group of teenage boys get lost in the Scottish Highlands.

2040 - can technology offer solutions to our current climate and ecological crises?

 Bait - Cornish fishermen try to adapt to a changing world

How to Fake  a War what happens when a rock star decides to meddle in international affairs?

Farm Animals on Film - featuring The Biggest Little Farm - an inspiring story of the creation of a sustainable biodiverse farm in California, plus Vulture, an experimental film about farm animals.

Virgin and Extra: Land of the Olive Oil.


Chef Diaries: Scotland - Spanish chefs the Roca brothers take the viewer on a culinary road trip round Scotland.

Up the Mountain - a year in an artists' studio in the Chinese mountains.

The Amber Light - a cinematic ode to Scotland's national drink

Disclaimer: I have a press pass for the film festival and attended a free press screening of these films.

How to Fake a War - film review

This is how World War Three starts, an explosive mix of fame obsessed celebrities, fake news, international meddling in a sovereign state's affairs, naivety and misadventure.

Hip-hop star Harry Hope (Jay Pharoah) claims to have won every music and acting award going and now has its sights set on the Nobel Peace Prize. So when he hears about war breaking out on the border of Georgia and a neighbouring republic that no-one has ever heard of, he sees this as his chance and announces a major Concert for Peace. But almost immediately a ceasefire is brokered and Harry is annoyed that his opportunity for greater fame has been undermined. So he tasks his PR consultant, Kate (Katherine Parkinson), and her sister and intern, Peggy (Lily Newmark),with manufacturing a fake conflict for long enough for Harry's concert to be seen as the catalyst for peace. 

This is as dubious a proposition as it sounds and leads to mayhem, violence and the build up to potentially serious international conflict. 

Despite being billed as a comedy, this is more often very uncomfortable viewing. You may laugh at this seemingly ridiculous story, but underneath, in this world of fake news and celebrity obsession, you sort of wouldn't be too surprised to find out it's true.

How to Fake a War is screening as part of the Edinburgh International Film Festival 2019 at 1755, Saturday 22 June and at 1515, Sunday 23 June, both at Odeon, Lothian Road. You can buy tickets here.


You can read my earlier reviews from Edinburgh International Film Festival 2019 (posted on my Crafty Green Poet blog) by following the links below:

Boyz in the Wood a group of teenage boys get lost in the Scottish Highlands.

2040 - can technology offer solutions to our current climate and ecological crises?

Bait - Cornish fishermen try to adapt to a changing world. 

Disclaimer: I have a press pass for the film festival and attended a free press screening of these films.

The Lure - film review

The Lure is a wonderfully retro Polish musical featuring sister mermaids with vampiric tendencies who are taken on by an underground nightclub to perform backing vocals and striptease. Golden is the sister who most feels the lure of being a vampire, while Silver is the sister who tries to restrain her vampiric tendencies and falls in love with the band's bass player. However their love is doomed, she is a mermaid and he is a human and it's impossible for them to be together. At the same time, mermaid myth says that any mermaid who falls in love with a human who then marries another human will turn to sea-foam on her lover's wedding day..... Is Silver herself therefore doomed?

This is a wonderfully atmospheric film, coping equally well with punk concerts and underwater scenes. It's fun and upbeat but has a melancholy heart. Well worth watching.

The Lure is showing as part of Edinburgh International Film festival:

2055, 24 June at Cineworld.

 You can read my other reviews from this year's film festival by following the links below:





Endless Night.



Homo Sapiens.


Belles Familles.

The Olive Tree.

 Death is Only the Beginning - my review of The Correspondence and The Library Suicides.

The Mine.

The Islands and the Whales.

Hunt for the Wilderpeople. 

Bugs - are insects the food of the future?

Disclaimer: I have a press pass for the Edinburgh International Film Festival and attended free press screenings of these films

Best of Fest

Edinburgh International Film Festival has announced the line up of the Best of the Fest screenings to be shown on Sunday.

Tickets are on sale now and films screen from Saturday 27 - Sunday 28 June at:

• Filmhouse
• Cineworld
• Odeon Lothian Road.

And now for my own Fest of the Fest! Follow the links below for my reviews

Chicken - a beautifully made coming of age drama focussing on a teenager with learning difficulties and his pet chicken.

Scottish Mussel - a romantic comedy focussing on the fight to conserve the freshwater mussel

Black Mountain Poets - a hilarious tale of two sisters on the run who pretend to be poets and hide out at a poetry retreat in the Welsh Mountains

 Desert Dancer - amazing choreography in this fictionalised biopic of the Iranian dancer Adshin Ghaffarian

Liza the Fox Fairy - a surreal comedy from Hungary

When Elephants Fight - an important documentary about conflict minerals in the Congo

It's been a great festival and many of the films shown deserve to be released into cinemas. 

Disclaimer - I had a press pass for the film festival and attended free press screenings of these films (except for Liza the Fox Fairy)

Liza the Fox Fairy

I wasn't able to get to a press screening of Liza the Fox Fairy but managed to buy a ticket for the last public screening and went along with Crafty Green Boyfriend.

This is a surreal film ('delightfully bonkers' according to Crafty Green Boyfriend) set in a beautifully imagined alternative reality 1970's Hungary where capitalism has replaced communism and everyone eats at Mekk Burger.

Liza is the live in nurse for the widow of the Japanese ambassador. The ghost of a Japanese pop star lives in the same flat and onstantly sings to Liza, though no-one else can see or hear him.

A series of unfortunate incidents in which people close to Liza die convince her that she is in fact a fox fairy, a creature from Japanese mythology who kills everyone who loves her. Can she find her one true love who can break the curse?

This a wonderfully escapist film, entertaining and very funny in parts.

Liza the Fox Fairy was shown as part of the Edinburgh International Film festival and hopefully will eventually get released into cinemas.

To read my other reviews from the film festival, follow the links below

Scottish Mussel - a romantic comedy centred on the fight to save the freshwater pearl mussel

 Black Mountain Poets - sisters on the run join a poetry retreat in the Welsh mountains

Desert Dancer - drama inspired by the life of Iranian dancer Afshin Ghaffarian 

Under Milk Wood - a new cinematic interpretation of Dylan Thomas' classic prose poem

Brand New U - futuristic thriller /  love story 

 Of Chickens and Camels - a review of Chicken (a wonderful coming of age film about a teenager with learning difficultie) and Nearby Sky (a documentary about the camel beauty contests in the Emirates). 

Infini - disaster on an off-planet mine

La Tirisia - love and life in the cacti covered mountains of Mexico

When Elephants Fight - conflict minerals in Congo

 Iron Ministry - a cinematic journey through China by rail

 Index Zero - dystopian SF set in a future Fortress Europe

30 Days Wild goes to the cinema - how the landscape backdrops two films set in very different countries (Sand Dollars and The Gulls) 

Disclaimer - I have a press pass for the film festival and attended free press screening of  these films.

As ever, red text contains hyperlinks which take you to other webpages where you can find out more.

Brand New U

Brand New U, showing at the Edinburgh International Film Festival is a tense, futuristic thriller about parallel identities that at heart is a love story. Slater visits the Brand New U corporation after his girlfriend Nadia disappears. He is given a new identity and a new lifespace with the warning that he musn't take anything from his old life with him. He is however, obsessed with Nadia and is convinced he has found her in his new lifespace, with complicating and dangerous consequences.

This stylish and moody film brings up interesting issues around identity and the existence of a soul-mate and plays with ideas around parallel realities.

It can be confusing. As I left the cinema, I heard someone say she thought it was much more confusing than she had expected, but I found it less confusing than I had expected. 

The soundtrack severely begs for Placebo's track Every You and Every Me. Luckily I know that song pretty well and could add it myself at the appropriate moments. Silently of course so as not to disturb the rest of the audience.

Brand New U is showing as part of the Edinburgh International Film Festival at 1550, 27 June at the Odeon.

You can read my other reviews from the film festival over on Crafty Green Poet by following these links

Under Milk Wood - the film (2015) - the new cinematic interpretation of Dylan Thomas' classic prose poem 

Of Chickens and Camels - a review of Chicken (a wonderful coming of age film about a teenager with learning difficultie) and Nearby Sky (a documentary about the camel beauty contests in the Emirates). 

Infini - disaster on an off-planet mine

La Tirisia - love and life in the cacti covered mountains of Mexico

When Elephants Fight - conflict minerals in Congo

 Iron Ministry - a cinematic journey through China by rail

 Index Zero - dystopian SF set in a future Fortress Europe

30 Days Wild goes to the cinema - how the landscape backdrops two films set in very different countries (Sand Dollars and The Gulls)

Disclaimer: I have a press pass for the film festival and attended free press screenings for these films. 

As ever, coloured text contains hyperlinks that take you to other webpages where you can find out more.

Lights and Shadows

outside the Filmhouse Cinema, Edinburgh

for Shadow Shot Sunday

The Filmhouse is the host and main venue of
Edinburgh International Film Festival
18 - 29 June, 2014 

Die Welt

Abdallah works for a pittance in a Tunis video store where he delights in encouraging customers to try less commercial films. Behind his pride in his homeland though he dreams of leaving the country, inspired partly by his father, who had lived in the Netherlands for several years. Abdallah has a one night stand with a Dutch woman and soon after that loses his job, both of which make him more determined to leave the country.

Die Welt explores the dilemmas faced by young Tunisians, treating the subject matter with a light touch, including enjoyably witty dialogue and lots of vivid scenes set in varied locations including marketplaces, a traditional wedding party and a traditional baths.

The background to the film is interesting. The Dutch director (Alex Pitstra) has a Tunisian father (who plays the father in Die Welt) and the film was inspired by his reactions to the Jasmine Spring revolution in Tunisia. The film blends documentary into the fictional story, even including home videos of Pitstra's childhood in the Netherlands. This brings a revealing and insightful personal element into the film.

Die Welt is showing as part of the Edinburgh International Film Festival:

2050, 28 June and 1910, 29 June both at Cineworld. 

Disclaimer: I have a press pass for the Edinburgh international Film Festival and attended a free press screening of this film. 

Lilou's Adventure

Lilou, the ten year old daughter of a Guinean father and a Japanese mother, doesn't have friends at her school in Okinawa. She keeps herself pretty much to herself, even not liking to join the groups of children who congregate with her father to play drums and dance. Her classmate Kokuru, meanwhile has stopped dreaming and is upset about this, because she has been keeping a dream dairy so she has something to talk about with her grandfather. The two girls ave a lot in common, both of them have musicians as fathers and both of them are shy and serious. Kokuru had been too shy to speak to Lilou until she stopped dreaming and then felt she needed to reach out.

This marks the beginning of the two girls adventures, in which reality, dreams, myths and video games all start to merge into a beautifully surreal collage. But can Kokuru save her grandfather before time runs out? At times I was wanting to shake the characters and tell them to hurry up! Partly this was because it felt like a very long film (it's almost two hours long) but largely because the viewer gets really sucked into the flow of the film and engaged with the two main characters.

The two young actresses playing the main roles give wonderful performances and the friendship between the two is beautifully developed. The film is a lovely meditation on friendship, belonging and the nature of reality.

Lilou's Adventure is showing as part of the Edinburgh International Film Festival:

1450, 23 June and 1810, 25 June both at Cineworld

Disclaimer: I have a press pass for the Edinburgh International Film Festival and attended a free press screening of this film. 

From Tehran to London

From Tehran to London is an unfinished film and presented as such as a testament of the censorship that film-making is subjected to in Iran.

Mania Akbari stopped the filming of the film when several Irainian film-makers had been arrested. She fled to London where she finished producing the film, but left the narrative unfinished.

The story centres on a couple, Ashkan, a wealthy business man and Ava, a poet, who is suffering from writer's block. Near the beginning of the film, their maid Maryam disappears while the couple are on a business trip. Later, Ava's sister has moved into the house.

The whole film is made up of claustrophobic dialogue between the characters, long arguments between the couple and gentler discussions between the sisters as they perform their beauty routines together. Ava is angry with her husband for many reasons, but partly because she feels he is blocking the publication of her latest book of poetry, so the issue of censorship was already at the heart of the film before the director was forced to stop filming.

This is a fascinating film for anyone interested in gender relations or artistic self expression in Iran.

From Tehran to London is showing: 2015, 22 June and 1500, 23 June, both at Filmhouse.


Disclaimer, I have a press pass for the Edinburgh International Film Festival and attended a free press screening of this film.

I'm posting most of my film festival reviews on Crafty Green Poet, you can read them so far here and here.

Films at Edinburgh International Film Festival

As most readers of this blog will know, I have a press pass for Edinburgh International Film Festival and am positively overdosing on great films for the next two weeks. I'll be reviewing most of the films over on Crafty Green Poet, but some will be on this blog. I thought it might be useful to have an overview post with links to all the reviews, so here goes (click on the links to read the reviews):

1. Shut Up Little Man! (noisy neighbours, invasion of privacy & copyright issues. Documentary)
2. Calvet. (how art transformed one man's life. Documentary).
.......and an interview with Jean Marc Calvet and the film director Dominic Allan
3. Project Nim (can we teach chimpanzees to communicate using language? Is it ethical to even try? Documentary).
4. Borrower Arrietty (gorgeous anime based on Mary Norton's classic children's book The Borrowers)
5. Cityscapes (experimental short films about cities across the world)
6. Mysterious Object at Noon (surreal storytelling on a road trip through Thailand)
7. some thoughts on nature therapy after watching King of Devil's Island
8. Convento (kinetic art in rural Portugal. Documentary)
9. Off the Beaten Track (rural life in Rumania, Documentary)
10. Burning Ice (art and science respond to climate change. Documentary.)
11. Almanya - Welcome to Germany (entertaining drama about a Turkish family in Germany)
12. Albatross - (coming of age drama focussing on an aspiring writer)
13. A Better Life (depressing story about an undocumented Mexican family in California)
14. Perfect Sense (romance against the backdrop of an unknown epidemic)

A Better Life

Yesterday I reviewed Almanya (you can read my review here) - an upbeat, entertaining film about a Turkish family in Germany. Still on the theme of immigration, today I saw A Better Life, a low beat, depressing film about a Mexican family in California.

Carlos is an illegal immigrant working a regular job as a gardener, but his boss is selling up and moving back to Mexico. He offers Carlos the sale of his truck, but Carlos can't afford it and hasn't anyway gor a driver's licence.

This truck forms the centre of the film as hopes are raised by Carlos' sister lending him the money to buy it. But where this should help Carlos to create himself a better life, things aren't that simple.

Meanwhile Carlos' son Luis is skipping school and getting into bad company. He is much more Americanised that Carlos. Where his Dad tries to keep in the background, Luis is quite quick to fight. Over the course of the film though the two become much closer and start to understand each other's perspectives.

This is a very well observed film about the issues around being undocumented in the USA. Behind the main characters there's a whole world in view, as the action passes through many areas of Los Angeles, showing fights, political rallies and lines of illegal immigrants looking for work.

I saw a press screeing of this film at the Edinburgh International Film Festival. Public Screenings are: 19.45, 24 June and 17.45, 25 June, both in Cameo 1. You can book tickets on the EIFF website here.

Almanya - Welcome to Germany

'Am I German or Turkish?' This is the central question in Almanya - Welcome to Germany, an engaging and highly entertaining drama about a Turkish family who have lived in Germany since the 1960s.

When grandfather announces he has bought a summer house in Turkey, just after he and his wife have finally become German citizens, a journey starts, taking the family through their past and their two cultures. We see how the identities of grandfather and grandmother have changed so much since they first left Turkey for Germany, where once they identified totally as Turkish, they now feel just as Turkish inside but have become totally used to life in Germany and find elements of Turkey quite alien now they return. At the same time their grandson finds he isn't accepted by his school friends - he's neither properly German nor properly Turkish.

The film is beautifully structured and filmed, using a documentary approach to the historical elements of the story and with wonderful surreal touches to highlight the emotional journey of the characters. There are dream sequences including grandfather's hilarious nightmare about what German citizenship might involve.

There are wonderful details, such as the embroidered handkerchief that grandfather had given to grandmother when he had first gone to Germany, which add subtlety and depth to the story.

And viewers may well be advised to make sure they have a handkerchief at the ready too, this is a film that will make you laugh and cry.

I saw the press screening of this film at the Edinburgh International Film Festival. Public screenings are 17.45, 23 June and 13.00, 25 June, both in Cameo 1. You can book tickets on the EIFF website here.

As ever, red text in this post contains hyperlinks which take you to other websites where you can find out more.

Calvet

I'm in the middle of reviewing the Edinburgh International Film Festival! I've seen ten excellent films so far, but one that made a particular impression on me is Calvet (you can read my review here). This is the amazing story of how Jean Marc Calvet's life was transformed when he discovered art.

I was delighted yesterday to be able to chat with Jean Marc and with Dominic Allan, the director of the film.

Jean Marc Calvet had a hard childhood and an early career as a bodyguard, a French Legionnaire and a vice cop. He abandoned his partner and young son to take a shady job in the USA, which led to him absconding to Central America with huge amounts of cash he had stolen from his employer.

Dominic Allan has worked in TV, directing such films as The Pipeline; Mandela: The Living Legend and Israel Undercover. He was travelling in Nicaragua in 2004, when he met Jean Marc in a restaurant, which was decorated with huge paintings. These paintings of Jean Marc's made a big impression on Dominic but it was only two years later that he had the idea to make a film about how art had transformed Jean Marc's life. Jean Marc admitted in our interview that at that stage he hadn't entirely seen Dominic's vision, but that he saw the film project as an extension of the therapy that art already was for him.

The most memorable part of the film for me is where Jean Marc discovers painting as therapy. There is an extended sequence of impressionistic visuals and soundscapes that recreate the drug-fuelled hallucinations that Jean Marc experienced for several months while he had imprisoned himself in his house in Costa Rica. At some point, he discovers several pots of paints and literally starts throwing the paint around the rooms. At this stage, Jean Marc says, he would deny he was an artist, when people asked him. It was only five years later, when someone contacted him wanting to put on an exhibition of his work in New York that he realised that he was a real artist.

Jean Marc has used lots of different styles in his art. In his early days as a painter, people would compare his work to Jackson Pollock or Jean-Michel Basquait but he'd never heard of these artists. So he set out to learn as much as he could about art and became an avid reader of art magazines. He is entirely self-taught and uses different styles depending on what best fits what he wants to say. Art, he said, is like a 'big walk inside' himself.

Jean Marc is now a respected artist and is inspiring the next generation of artists, not least his own daughter, who is deaf. She is allowed a lot of freedom in his studio where she enjoyed expressing herself through art and she appears briefly in the film.

Dominic had wanted to use film techniques that would best capture the immediacy of Jean Marc's art and the intensity of his life story. He wanted to mostly avoid reconstructions of the past (though one scene in Jean Marc's old house on Costa Rica is a very effective reconstruction with slides of his first paintings projected onto the now white-washed walls). Dominic chose to intercut the narrative with segments of impressionistic film to suit the mood of the story. This approach works brilliantly and really does give the film a sense of immediacy and emotional impact.

Dominic said he wants to make films that are inspiring and Calvet certainly is! The film should be touring various film festivals in the next few months and hopefully should get released into cinemas after that. If you get the chance, see it! Meanwhile you can see some of Jean Marc's paintings and read more about his life on his website here.

The website for the film Calvet is here and there's also a Facebook page here!

Thanks to Edinburgh International Film Festival for making this interview possible and to Jean Marc and Dominic for making the time to chat to me!

As ever, coloured text contains hyperlinks which take you to other webpages where you can find out more. This article also appears on Crafty Green Poet.

Edinburgh International Film Festival

This lunchtime I went along to collect my press pack for the Edinburgh International Film Festival! As I've said before, I'm very impressed with this year's programme, based purely on the fact that there are more films I want to see than there have been for years. So I'm looking forward very much to seeing lots of films over the next week or so. I'll review most of the films I see over on Crafty Green Poet, but one or two might find themselves reviewed on this blog. And of course I'm delighted to find myself mentioned in this article on bloggers to watch out for at the festival.

As ever, text in green contains hyperlinks to other webpages where you can find out more.

Hollywood Haiku

I was delighted that one of my film haiku was a runner up in the Best for Film Hollywood Haiku competition! You can read the winning entries here.

My entries were originally posted on this blog here and here.

I'll be reviewing lots of films during the Edinburgh International Film Festival, mostly over on Crafty Green Poet. You can read my initial thoughts about the festival here and here.

Edinburgh International Film Festival (2)

I blogged recently about the Edinburgh International Film Festival and mentioned how excited I was by the programme. Yesterday Crafty Green Boyfriend finally got the chance to look through the programme and said it was very disappointing for him, but then we have very different tastes in films! I'm particularly impressed that the festival has ditched the red carpet celebrity focussed strands of the last few years in favour of a more serious, issue based approach (but then I can see a lot of people not agreeing with me on that, as we live in such celebrity obsessed times). I'm also impressed by the number of films that have an environmental theme to them. My views this year are also coloured by the fact that (whisper it) I have a press pass, which means I can see all the films I want to see in return for reviews (mostly over on Crafty Green Poet) and for some general publicity (like this blog post).

Howard of Belvedere Express made a very valid point about the price of Film Festival Tickets in his comment on my first post about the festival, but I'd say:

a) it's better value than the Edinburgh International Book Festival where you pay £10 to listen to an author market their book which they then expect you to buy (I'm not knocking the Book Festival as such, I've been to some great events there - the best ever being last year's reading from two South African poets I had never previously heard of).

b) my secret to the Film Festival is to pick the films least likely to ever get released (because they're obscure or deal with unpopular topics) and to avoid going to films that are likely to get general release - why pay festival prices for a film that will be in all the cinemas only two weeks later?