Two SF films at Edinburgh International Film Festival

Edinburgh International Film Festival ends tonight and here are my two final reviews. 

The Vast of Night 



The debut from director Andrew Patterson, The Vast of Night, framed as an episode of The Twighlight Zone, is set over the course of a single night a small town in late 1950s New Mexico. Most residents of the town are at a basketball game, except for radio presenter Everett (Jake Horowitz) and switchboard operator Fay (Sierra McCormick), who hear mysterious sounds disrupting their lines and broadcasts. This leads to an investigation involving a veteran who phones into the radio station to recount his experiences and an elderly lady who shares snippets of a language she has heard that seems connected to the other strange sounds.

It's a beautifully made film which feels to very realistically evoke the era. It's a very low key drama, with the story developing slowly and there being little disagreement between Fay and Everett despite what must be trying events. A burgeoning romance between the two is very slightly hinted at but doesn't develop at all, avoiding the obvious sub-plot (though possibly decreasing the amount of engagement for some viewers?). 

Definitely worth watching, it should get at least a restricted release in the UK in the next few months.


 Time Crimes 




Going back in time (in more ways than one) Time Crimes is a 2007 Spanish film featuring Hector a middle aged man who finds himself caught in a time loop and tries to keep going back to correct what went wrong last time he travelled back in time. It's one of those films that messes with your brain, specially if you think about it too much. 

One of the great things about the Edinburgh International Film Festival is that it includes well curated retrospective strands that include films like this, that might otherwise be forgotten. 

Disclaimer: I received free press tickets for the public screenings of these two films. 

 You can read my earlier reviews from Edinburgh International Film Festival 2019, by following the links below:

Boyz in the Wood a group of teenage boys get lost in the Scottish Highlands.

2040 - can technology offer solutions to our current climate and ecological crises?

 Bait - Cornish fishermen try to adapt to a changing world

How to Fake  a War (on my Shapeshifting Green blog) what happens when a rock star decides to meddle in international affairs?


Farm Animals on Film - featuring The Biggest Little Farm - an inspiring story of the creation of a sustainable biodiverse farm in California, plus Vulture, an experimental film about farm animals.

Virgin and Extra: Land of the Olive Oil.
 
Chef Diaries Scotland: Spanish Chefs the Roca brothers take the viewer on a culinary road trip round Scotland

 Up the Mountain - a year in an artists' studio in the Chinese mountains.

The Amber Light - a cinematic ode to Scotland's national drink

Aren't You Happy (on my Shapeshifting Green blog) - a writer searches for the meaning of life while not actually writibg anything

The Deer - a Basque language film following two poachers in a national park on the outskirts of San Sebastien.

Hurt by Paradise - a poet keeps searching for a publisher and an actor keeps trying to get a role

Photograph (on my Shapeshifting Green blog) - a street photographer in Mumbai invents a fiancee for himself....

Endzeit - an ecofeminist road movie with zombies. 

Vai and Venezia - 2 films from sinking worlds. 

Hamada - (on my Shapeshiting Green blog) life for young refugees of the Sahwari people in the Sahara. 

 Volcano - a photpgrapher gets lost in Ukraine

Black Forest - a dysfunctional family holiday in the German forest  

Carmilla - a gothic tale. 

Hamada - screening at Edinburgh International Film Festival

 

Hamada: (h 'ma:d ) n. (geology) a desert terrain that consists of a flat and rocky area mainly devoid of sand. For Sahrawi people, hamada also refers to ‘emptiness’ or ‘lifelessness’. 
 
Hamada follows the lives of young friends living in a refugee camp in the Sahara. A minefield and the second largest military wall in the world separates this group from their homeland that they only know from their parent's stories. The Sahrawi people have lived here for 40 years since Morocco drove them out of Western Sahara.

These young people have the same interests as young people in more fortunate circumstances, they want to learn how to drive, to develop skills, to find meaningful jobs, to find a girlfriend or boyfriend, to enjoy time with their friends and family. Their determination shines through in every scene but it is clear that all of them want more fulfilling lives than the refugee camp can offer them.

Hamada is screening as part of the Edinburgh International Film Festival at  1325, Saturday 29 June and at 1530 Sunday 30 June both at Odeon Lothian Road. You can buy tickets here.

You can read my earlier reviews from Edinburgh International Film Festival 2019, by following the links below:

Boyz in the Wood a group of teenage boys get lost in the Scottish Highlands.

2040 - can technology offer solutions to our current climate and ecological crises?

 Bait - Cornish fishermen try to adapt to a changing world

How to Fake  a War (on my Shapeshifting Green blog) what happens when a rock star decides to meddle in international affairs?

Farm Animals on Film - featuring The Biggest Little Farm - an inspiring story of the creation of a sustainable biodiverse farm in California, plus Vulture, an experimental film about farm animals.

Virgin and Extra: Land of the Olive Oil.

Chef Diaries: Scotland - Spanish chefs the Roca brothers take the viewer on a culinary road trip round Scotland.

Up the Mountain - a year in an artists' studio in the Chinese mountains.

The Amber Light - a cinematic ode to Scotland's national drink

Aren't You Happy (on my Shapeshifting Green blog) - a writer searches for the meaning of life while not actually writing anything

The Deer - a Basque language film following two poachers in a national park on the outskirts of San Sebastien.

Hurt by Paradise - a poet keeps searching for a publisher and an actor keeps trying to get a role

Photograph (on my Shapeshifting Green blog) - a street photographer in Mumbai invents a fiancee for himself....

Endzeit - an ecofeminist road movie with zombies. 

Vai and Venezia - 2 films from sinking worlds. 


Volcano - lost in the borderlands of Ukraine.

Disclaimer: I have a press pass for the film festival and attended a free press screening of these films.

Photograph - screening at Edinburgh International Film Festival

This new film from Ritesh Batra is the much awaited follow up to the brilliant comedy The Lunchbox.
 

Struggling street photographer Rafi (Nawazuddin Siddiqui, who also stars in Lunchbox), based in Mumbai, works all the hours he can to pay off an old family debt. His grandmother (Farrukh Jaffar) constantly pressurises him to find a suitable match. He eventually shows his grandmother by a photo of a stranger, Miloni (Sanya Malhotra) claiming she is his fiancée. When his grandmother demands to be introduced to his fiancée, he manages to track down Miloni. Rafi asks her to fake their relationship, to which Miloni  agrees.

The two soon become friends, obviously enjoying each other's company, despite their very different backgrounds, but not becoming romantically involved. The situation is complicated by the fact that Miloni pretends to be an orphan to avoid Rafi's grandmother wanting to meet them. However it becomes difficult to avoid almost bumping into them.

Miloni is a very quiet character, a trait that can come across very poorly in some films, but here it works, she is the quiet but determined young woman not prepared to waste words where they're not needed. Her growing interest in becoming part of Rafi's world is part of her testing out what she wants from life.

The drama that ensues is a sweet entertaining story, well worth savouring.  

Photograph is screening at Edinburgh International Film Festival at 1815 Wednesday 26 June at Odeon Lothian Road and at 2020 Thursday 27 June at Vue Omni Centre. You can book tickets here.

You can read my earlier reviews from Edinburgh International Film Festival 2019, by following the links below:

Boyz in the Wood a group of teenage boys get lost in the Scottish Highlands.

2040 - can technology offer solutions to our current climate and ecological crises?

 Bait - Cornish fishermen try to adapt to a changing world

How to Fake  a War (on my Shapeshifting Green blog) what happens when a rock star decides to meddle in international affairs?

Farm Animals on Film - featuring The Biggest Little Farm - an inspiring story of the creation of a sustainable biodiverse farm in California, plus Vulture, an experimental film about farm animals.

Virgin and Extra: Land of the Olive Oil.

Chef Diaries Scotland: Spanish Chefs the Roca brothers take the viewer on a culinary road trip round Scotland

 Up the Mountain - a year in an artists' studio in the Chinese mountains.

The Amber Light - a cinematic ode to Scotland's national drink

Aren't You Happy (on my Shapeshifting Green blog) - a writer searches for the meaning of life while not actually writibg anything


The Deer - a Basque language film following two poachers in a national park on the outskirts of San Sebastien.

 Hurt by Paradise - a poet keeps searching for a publisher and an actor keeps trying to get a role

Endzeit - ecofeminist road movie, with zombies

Disclaimer: I have a press pass for the film festival and attended a free press screening of these films.

Aren't You Happy? Screening at Edinburgh International Film Festival

Writer-director Susanne Heinrich’s first feature length film is a cinematically interesting exploration of life, love and gender relations for today's young woman. 

A nameless and melancholy young woman (Marie Rathscheck) is a writer with writing issues (she's got no further than the first line of the second chapter of her novel). She searches for meaning to life and a bed for the night while waiting for the end of capitalism. She meets various men, none of whom she allows to mean anything to her. She visits art galleries and philosophises about beauty, feminism and consumerism.

The film is very stylised (reminding in this particular though not in others of Fassbinder's Fear Eats the Soul) and almost static, broken down into self consciously announced episodes. Everything takes place in a very distinctive colour palette dominated by pink and blue. 

Then suddenly in the middle there's a wonderful animated music video then we're back to the same clever and contrived format as before.  

There are moments of humour here and some ideas worth thinking about but mostly it's melancholy and feels as though it should be more entertaining than it is.

Aren't You Happy? is nominated for the 2019 Award for Best International Feature Film.

Aren't You Happy screens at the Edinburgh International Film Festival at 2020 Monday 24 June and 2040 Wednesday 26 June both at Vue Omni Centre. You can book tickets here.

You can read my earlier reviews from Edinburgh International Film Festival 2019, by following the links below:

Boyz in the Wood a group of teenage boys get lost in the Scottish Highlands.

2040 - can technology offer solutions to our current climate and ecological crises?

 Bait - Cornish fishermen try to adapt to a changing world

How to Fake  a War what happens when a rock star decides to meddle in international affairs?

Farm Animals on Film - featuring The Biggest Little Farm - an inspiring story of the creation of a sustainable biodiverse farm in California, plus Vulture, an experimental film about farm animals.

Virgin and Extra: Land of the Olive Oil.


Chef Diaries: Scotland - Spanish chefs the Roca brothers take the viewer on a culinary road trip round Scotland.

Up the Mountain - a year in an artists' studio in the Chinese mountains.

The Amber Light - a cinematic ode to Scotland's national drink

Disclaimer: I have a press pass for the film festival and attended a free press screening of these films.

How to Fake a War - film review

This is how World War Three starts, an explosive mix of fame obsessed celebrities, fake news, international meddling in a sovereign state's affairs, naivety and misadventure.

Hip-hop star Harry Hope (Jay Pharoah) claims to have won every music and acting award going and now has its sights set on the Nobel Peace Prize. So when he hears about war breaking out on the border of Georgia and a neighbouring republic that no-one has ever heard of, he sees this as his chance and announces a major Concert for Peace. But almost immediately a ceasefire is brokered and Harry is annoyed that his opportunity for greater fame has been undermined. So he tasks his PR consultant, Kate (Katherine Parkinson), and her sister and intern, Peggy (Lily Newmark),with manufacturing a fake conflict for long enough for Harry's concert to be seen as the catalyst for peace. 

This is as dubious a proposition as it sounds and leads to mayhem, violence and the build up to potentially serious international conflict. 

Despite being billed as a comedy, this is more often very uncomfortable viewing. You may laugh at this seemingly ridiculous story, but underneath, in this world of fake news and celebrity obsession, you sort of wouldn't be too surprised to find out it's true.

How to Fake a War is screening as part of the Edinburgh International Film Festival 2019 at 1755, Saturday 22 June and at 1515, Sunday 23 June, both at Odeon, Lothian Road. You can buy tickets here.


You can read my earlier reviews from Edinburgh International Film Festival 2019 (posted on my Crafty Green Poet blog) by following the links below:

Boyz in the Wood a group of teenage boys get lost in the Scottish Highlands.

2040 - can technology offer solutions to our current climate and ecological crises?

Bait - Cornish fishermen try to adapt to a changing world. 

Disclaimer: I have a press pass for the film festival and attended a free press screening of these films.

Russian Doll by Lucy Lloyd

Set in the near future and originally published as Shotlandiya on Kindle this is an intriguing novel about a Russian take over of a newly independent Scotland, starting with their annexing the island of Rockall.

Anna works for the newly independent Scottish Broadcasting Corporation producing radio programmes, and struggles to remain true to herself as Russian managers and staff start taking over the studios.

She finds herself becoming closer to Grigory, a Russian diplomat who is overseeing Scottish-Russian media relations and struggles against their growing mutual attraction. 

This is an excellent novel, the characters are believable and complex and the narrative moves along well with escalating tension and intrigue. I was very impressed by the way that the censorship and control by the Russians was depicted, starting as something quite subtle and increasing slowly until they were controlling basically all the station's output. It's moving and amusing as well as thought provoking. 

Russian Doll by Lucy Lloyd, published (2018) by Comely Bank Publishing.